Beyoncé review – ever-evolving star kicks off electrifying Cowboy Carter tour
SoFi Stadium, Inglewood, CaliforniaThe singer delivers a rousing, seven-act spectacle as she performs many of her country songs on stage for the first time while also harking back to her previous dance-leaning eraBeyoncé doesn’t just take the stage – she takes the narrative back. On opening night of her Cowboy Carter world tour at the four-year-old SoFi Stadium in Inglewood, California, she brings forth a sweeping, theatrical spectacle that reclaims country music, reframes American identity and reminds everyone who’s still driving pop’s evolution after all these years. Her nearly three-hour, seven-act performance draws heavily from Cowboy Carter – her Grammy-winning country epic – and threads in nods to Renaissance, the ballroom-infused predecessor that lit up stadiums barely two years ago. Rather than stake a claim in country, Beyoncé goes deeper: celebrating the Black roots of the genre and exploding its boundaries with precision, power and polish.Outside SoFi, vendors hawk more cowboy hats than you’d see at a Los Tigres del Norte show. Inside, anticipation sizzles. Projected across the massive stage-length screen: CHITLIN’ CIRCUIT – a nod to the historic Black music venues where blues, country and rock took shape. The show begins with American Requiem – the Sign o’ the Times-drizzled opener from Cowboy Carter – followed by a haunting Blackbiird. Then comes a defining moment: a Hendrix-inspired Star-Spangled Banner, laced with the thunder of Freedom, flashing red, white and blue. The screen reads: “Never ask permission for something that already belongs to you.” Continue reading...
SoFi Stadium, Inglewood, California
The singer delivers a rousing, seven-act spectacle as she performs many of her country songs on stage for the first time while also harking back to her previous dance-leaning era
Beyoncé doesn’t just take the stage – she takes the narrative back. On opening night of her Cowboy Carter world tour at the four-year-old SoFi Stadium in Inglewood, California, she brings forth a sweeping, theatrical spectacle that reclaims country music, reframes American identity and reminds everyone who’s still driving pop’s evolution after all these years. Her nearly three-hour, seven-act performance draws heavily from Cowboy Carter – her Grammy-winning country epic – and threads in nods to Renaissance, the ballroom-infused predecessor that lit up stadiums barely two years ago. Rather than stake a claim in country, Beyoncé goes deeper: celebrating the Black roots of the genre and exploding its boundaries with precision, power and polish.
Outside SoFi, vendors hawk more cowboy hats than you’d see at a Los Tigres del Norte show. Inside, anticipation sizzles. Projected across the massive stage-length screen: CHITLIN’ CIRCUIT – a nod to the historic Black music venues where blues, country and rock took shape. The show begins with American Requiem – the Sign o’ the Times-drizzled opener from Cowboy Carter – followed by a haunting Blackbiird. Then comes a defining moment: a Hendrix-inspired Star-Spangled Banner, laced with the thunder of Freedom, flashing red, white and blue. The screen reads: “Never ask permission for something that already belongs to you.” Continue reading...
