Cinema

‘Hurry Up Tomorrow’: Why Abel Tesfaye Created a Dark Fi...

In conversation with IndieWire, writer/director Trey Edward Shults breaks down t...

IATSE’s New Contract for Marvel, Disney, and ‘Avatar’ V...

Members of the newly formed visual effects union overwhelmingly ratified its con...

‘Murderbot’ Review: Alexander Skarsgård’s Goofy-Great A...

Adapted from Martha Wells' novels, "The Murderbot Diaries," Chris and Paul Weitz...

How ‘Love, Death and Robots’ Season 4 Made the Ultimate...

Director Jennifer Yuh Nelson tells IndieWire about being drawn to a grieving cyb...

‘Arco’ Review: France’s Answer to Studio Ghibli Offers ...

Cannes: The first feature from Ugo Bienvenu is an imaginative and soulful time-t...

Matthew Weiner and ‘Hacks’ Creators Lucia Aniello, Paul...

Exclusive: "Mayor of Kingstown" writer Regina Corrado, "The Girl from Plainville...

The First-Dayers of ‘The Pitt’ Highlight the Need for M...

Gerran Howell, Isa Briones, Shabana Azeez, and Taylor Dearden speak with IndieWi...

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