Oona Doherty: Specky Clark review – distressed orphan out-dances the abbatoir’s raw reality
Sadler’s Wells, LondonWith an amazing sense of pure movement, Doherty’s bold, distinctive work takes the story of her great-great-grandfather beyond magic realismHere we are in an abattoir with a talking pig carcass. You see, Oona Doherty puts worlds on stage you won’t see elsewhere. Best known for her brilliant ode to working class Belfast, Hard to be Soft, Doherty’s latest piece returns to her home town in a story inspired by past generations, including her great-great-grandfather (the original Specky Clark), where biography and fiction merge with messy edges. Specky (played by petite Faith Prendergast, dwarfed by the tall dancers in adult roles) arrives in Belfast from Glasgow aged 10. Doherty herself moved from London to Belfast at the same age – you can always question whose story this really is.The show is rooted in realism but quickly moves to the magical kind and then full-blown fantasy. “Let me tell ya a story,” says the narrator, conjuring backstories and personal myths. Set at Samhain, the Gaelic festival marking the start of winter, it’s a liminal time when the barrier between the living and dead becomes permeable. Even the anachronistic soundtrack – a David Holmes tune thrown into what we assume is an earlier age – destabilises the sense of solidity. Continue reading...
Sadler’s Wells, London
With an amazing sense of pure movement, Doherty’s bold, distinctive work takes the story of her great-great-grandfather beyond magic realism
Here we are in an abattoir with a talking pig carcass. You see, Oona Doherty puts worlds on stage you won’t see elsewhere. Best known for her brilliant ode to working class Belfast, Hard to be Soft, Doherty’s latest piece returns to her home town in a story inspired by past generations, including her great-great-grandfather (the original Specky Clark), where biography and fiction merge with messy edges. Specky (played by petite Faith Prendergast, dwarfed by the tall dancers in adult roles) arrives in Belfast from Glasgow aged 10. Doherty herself moved from London to Belfast at the same age – you can always question whose story this really is.
The show is rooted in realism but quickly moves to the magical kind and then full-blown fantasy. “Let me tell ya a story,” says the narrator, conjuring backstories and personal myths. Set at Samhain, the Gaelic festival marking the start of winter, it’s a liminal time when the barrier between the living and dead becomes permeable. Even the anachronistic soundtrack – a David Holmes tune thrown into what we assume is an earlier age – destabilises the sense of solidity. Continue reading...
