“Only Four Weeks for Prep — Including Casting — and 16 Days to Shoot the Entire Film”: Paolo Maria Pedullà on Producing Mad Bills to Pay (or Destiny, dile que no soy malo)

Director Joel Alfonso Vargas made Filmmaker‘s 25 New Faces list in 2024 on the basis of his short film, Mad Bills to Pay, which is now a debut feature selected for both the 2025 Sundance and Berlin Film Festivals. “A shoestring-budget production” realized by a “minimal team,” Mad Bills to Pay (or Destiny, dile que no soy malo) is also a debut feature for producer Paolo Maria Pedullà, a UK National Film and Television School graduate whose previous work includes associate producing Paolo Sorrentino’s The Hand of God as well as shorts and various high-end TV shows. Below, Pedullà discusses […] The post “Only Four Weeks for Prep — Including Casting — and 16 Days to Shoot the Entire Film”: Paolo Maria Pedullà on Producing Mad Bills to Pay (or Destiny, dile que no soy malo) first appeared on Filmmaker Magazine.

Feb 11, 2025 - 02:32
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“Only Four Weeks for Prep — Including Casting — and 16 Days to Shoot the Entire Film”: Paolo Maria Pedullà on Producing Mad Bills to Pay (or Destiny, dile que no soy malo)

Director Joel Alfonso Vargas made Filmmaker‘s 25 New Faces list in 2024 on the basis of his short film, Mad Bills to Pay, which is now a debut feature selected for both the 2025 Sundance and Berlin Film Festivals. “A shoestring-budget production” realized by a “minimal team,” Mad Bills to Pay (or Destiny, dile que no soy malo) is also a debut feature for producer Paolo Maria Pedullà, a UK National Film and Television School graduate whose previous work includes associate producing Paolo Sorrentino’s The Hand of God as well as shorts and various high-end TV shows. Below, Pedullà discusses […] The post “Only Four Weeks for Prep — Including Casting — and 16 Days to Shoot the Entire Film”: Paolo Maria Pedullà on Producing Mad Bills to Pay (or Destiny, dile que no soy malo) first appeared on Filmmaker Magazine.