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“The Final Film Often Grows From a Process of Letting Go of Preconceived Ideas…” Editor Stephania Dulowski on Bunnylovr
In Katarina Zhu’s Sundance Competition debut, Bunnylovr, a New York City-based Chinese American cam girl (played by the writer/director) navigates a number of fraught personal relationships (her ex, terminally ill father, artist best friend and one boundary-pushing client) while also caring for a white rabbit, a gift from said client. Working with Zhu to hone and focus these storylines was editor Stephania Dulowski, a Sundance veteran who cut Haley Elizabeth Anderson’s 2024 title, Tendaberry. Below, Dulowski talks about focusing on character, delineating the film’s final beats, and how working within a commercial house has influenced her approach to editing. Filmmaker: […] The post “The Final Film Often Grows From a Process of Letting Go of Preconceived Ideas…” Editor Stephania Dulowski on Bunnylovr first appeared on Filmmaker Magazine.
In Katarina Zhu’s Sundance Competition debut, Bunnylovr, a New York City-based Chinese American cam girl (played by the writer/director) navigates a number of fraught personal relationships (her ex, terminally ill father, artist best friend and one boundary-pushing client) while also caring for a white rabbit, a gift from said client. Working with Zhu to hone and focus these storylines was editor Stephania Dulowski, a Sundance veteran who cut Haley Elizabeth Anderson’s 2024 title, Tendaberry. Below, Dulowski talks about focusing on character, delineating the film’s final beats, and how working within a commercial house has influenced her approach to editing. Filmmaker: […] The post “The Final Film Often Grows From a Process of Letting Go of Preconceived Ideas…” Editor Stephania Dulowski on Bunnylovr first appeared on Filmmaker Magazine.
