![Parents Threatened To Email A Business Partner And Get Them To Stop Working With Me [closed]](https://cdn.sstatic.net/Sites/workplace/Img/apple-touch-icon@2.png?v=d39b333f5c58)
![[Tutorial] Chapter 4: Task and Comment Plugins](https://media2.dev.to/dynamic/image/width=800%2Cheight=%2Cfit=scale-down%2Cgravity=auto%2Cformat=auto/https%3A%2F%2Fdev-to-uploads.s3.amazonaws.com%2Fuploads%2Farticles%2Ffl10oejjhn82dwrsm2n2.png)
_Porntep_Lueangon_Alamy.jpg?#)
“It Doesn’t Have to Always Cost $200 million”: DP Lol Crawley on Shooting The Brutalist (Mostly) in VistaVision
In The Brutalist, a creatively uncompromising Hungarian-Jewish architect (Adrien Brody) immigrates to Pennsylvania after World War II and struggles to complete an ambitious project financed by a wealthy industrialist (Guy Pearce). Creating a three-hour epic in 34 days for under $10 million doesn’t allow the luxury of boundless obstinance, yet it’s easy to draw parallels between the protagonist’s unyielding artistry and a team of filmmakers that insisted on using the VistaVision format whose heyday ended more than 60 years ago. With the film, which is up for 10 Academy Awards, still in theaters and now also on VOD, Oscar-nominated cinematographer […] The post “It Doesn’t Have to Always Cost $200 million”: DP Lol Crawley on Shooting The Brutalist (Mostly) in VistaVision first appeared on Filmmaker Magazine.
In The Brutalist, a creatively uncompromising Hungarian-Jewish architect (Adrien Brody) immigrates to Pennsylvania after World War II and struggles to complete an ambitious project financed by a wealthy industrialist (Guy Pearce). Creating a three-hour epic in 34 days for under $10 million doesn’t allow the luxury of boundless obstinance, yet it’s easy to draw parallels between the protagonist’s unyielding artistry and a team of filmmakers that insisted on using the VistaVision format whose heyday ended more than 60 years ago. With the film, which is up for 10 Academy Awards, still in theaters and now also on VOD, Oscar-nominated cinematographer […] The post “It Doesn’t Have to Always Cost $200 million”: DP Lol Crawley on Shooting The Brutalist (Mostly) in VistaVision first appeared on Filmmaker Magazine.
![Vampire Bar Management Sim ‘Blood Bar Tycoon’ Launches Tomorrow [Trailer]](https://bloody-disgusting.com/wp-content/uploads/2025/02/bloodbartycoon.jpg)
